Slaphappy: A Covid-Era Commedia
May 20 - May 30, 2021
conceived and directed by Valerie Joyce
“Stupid in all the best ways.”
Imagine a universe where cutthroat collegiate teams vie for glory in the high-stakes world of...Commedia dell'Arte??? Outsized characters, physical shtick, running gags, improvisation, and — perfect for the Covid Era — MASKS! Inspired by cult film favorites Pitch Perfect and Waiting for Guffman, this ensemble-devised comic romp aims to deliver giddy delight in an age of anxiety.
$10 Suggested Donation Per Viewer Run Time: Approximately two hours
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Content warnings are verbal or written notices that precede potentially sensitive content. Content warnings differ from spoilers because they don’t explain plot or context. Similar to a rating on a movie or TV show, content warnings give the audience a heads up about potentially triggering topics in the performance. We hope that providing the following content warnings will equip our audiences with the tools they need to engage with the performance in a meaningful and fulfilling way.
Director of Photography - Hezekiah L. Lewis III
Scenic Designer - Colin McIlvaine
Lighting Designer - Jerold R. Forsyth
Sound Designer - John Stovicek
Costume Designer - Janus Stefanowicz
Commedia Coaches - John V. Bellomo, Andrew Blasenak and Chelsea Phillips
Dramaturg - Kirsten Sughrue
Production Manager - Amanda Coffin
Stage Manager - Kenzie Lynn Bradley
Prop Master/Scenic Charge - Sharri Jerue
Technical Director - Jake Rothermel
Director of Digital Strategy - Kimberly Reilly
Troupe 1 - David Burgess, Colleen Cordaro, Luke A. Davis, Timothy Krall, Tina Lynch, Sharese Salters, Alison Scaramella
Troupe 2 - Cristy Chory, Erin Coffman, Hannah Deprey-Severance, Nicholas V. Ecker, Anna Sorrentino
Troupe 3 - Meghan Dietzler, Tyler J. Eldridge, Ryan Henry, Lora Margerum, J.Bean Schwab
Moderator - Emma Poley
About the Director
VALERIE JOYCE, Theatre Department Chair, has been directing, designing or performing on stage at Villanova Theatre for almost 30 years.
Her Villanova directing credits include: Merrily We Roll Along, The Importance of Being Earnest, Intimate Apparel, Little Women: The Musical, Translations, The Threepenny Opera, The Light in the Piazza, Carousel, Batboy: The Musical, Annie Get Your Gun, Cabaret, and Talley’s Folly.
Her Villanova costume design credits include: Twelve Dreams, Dancing at Lughnasa, Bus Stop, and Speed the Plow.
Valerie wrote and directed a one-woman show with Villanova alumna Kimberly S. Fairbanks (MA ’11) that dramatizes the lost stories of pre-emancipation African American women entitled I Will Speak for Myself. They have performed this show in New York City at 59E59, at the Edinburgh Fringe Festival, Beacon Theatre in Philadelphia, Rock Hall, Maryland, and in Eugene O’Neill’s Tao House in San Francisco, CA. Other directing credits include: The Meat Opera and Up Your Ante for the New York and Philadelphia International Fringe Festivals and Thank You for Sharing with Amaryllis Theatre Company.
She also designed costumes for regional productions including A Persistent Memory and Six Story Building (Off Broadway), The Real Thing (Arden Theatre Company), Moon for the Misbegotten (Venture Theatre), True West and Waiting for Godot (Lantern Theatre Company), Billy and Zelda (Opera Delaware), and The Comedy of Errors (Princeton Repertory), as well as many university productions.
Valerie is a board member of the American Theatre and Drama Society and is affiliated with the Music/Theatre Dance and Women and Theatre focus groups of ATHE. She has presented her research at the national conferences of ASTR and ATHE and internationally at the Society of Early Americanists, Society for the Study of American Women Writers, and the Staging America conference in Madrid, Spain.
At Villanova, Valerie teaches courses on Script Analysis, Musical Theatre, Teaching of Theatre, Creativity, and topics courses including African American Women Playwrights.