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2021 Sue Winge Award Winner Readings

The Invisible Ones by Aly Gonzalez | Laundry by Megan Schumacher

Directed by Kimberly S. Fairbanks

December 2nd & December 4th, 8PM

MASKS ARE REQUIRED FOR ENTRY.

90 minutes, one intermission.

Villanova Theatre Artistic Director Michael Hollinger is proud to announce readings of the 2021 Sue Winge Award-winning plays: The Invisible Ones by Aly Gonzalez and Laundry by Megan Schumacher, directed by Kimberly Fairbanks on Thursday, December 2nd and Saturday, December 4th at 8PM in the Smith Performance Lab at the brand-new John and Joan Mullen Center for the Performing Arts. Schumacher ‘18 is a proud alum Villanova MA in Theatre, and Gonzalez is a current student expecting her MA in ’22.

On the connecting thread of the two pieces, Hollinger said “Aly's The Invisible Ones is a beautiful snapshot of two unhoused teens living beneath an underpass, one of whom hopefully pursues a college education despite her straitened circumstances.  Megan's powerful Laundry reveals another kind of "underworld," where five women, stripped of individual identity, labor under a dehumanizing system while struggling to retain their essential humanity.”

The Sue Winge Playwriting Award was established in memory of beloved Villanova University employee Sue Winge, who served the University for many years in the Theatre Department and the President’s Office. The award annually supports the creation and development of new plays at Villanova University, including the recent Bakkhai Variations commissions and workshop of Julia Izumi’s Sometimes the Rain, Sometimes the Sea. Previous winners of the Competition include m4m by Mark Costello (MA ‘10), Reveille by Jessica Bedford (MA‘10), Pancake Queen by Brie Knight (MA‘14), Fluttering Pulses by Patrick Walsh (BA ‘16) and Fondest Wish by Kevin Esmond (MA ‘17).

Content Advisory

If you want to learn more about the content of this show, please click below for specific content alerts. If you have further questions, contact the box office.

Content warnings "are verbal or written notices that precede potentially sensitive content." Content warnings differ from spoilers because they don’t explain plot or context. Similarly to a rating on a movie or TV show, content warnings give the audience a heads up about potentially triggering topics in the performance. We hope that providing the following contentwarnings will equip our audiences with the tools they need to engage with the performance in a meaningful and fulfilling way.

Like all good art, White asks audiences to engage with universal questions on a personal, sometimes challenging level. At the same time, please do note that there is a difference between trauma and discomfort. Without the latter, we can narrow and limit our experiences in ways detrimental to ourselves as individuals and as members of this community. Please use your best judgment and exercise self-care as needed.

Content warnings provided below.